Moving Histories // Future Projections

  • Soda_Jerk, The Time that Remains , 2012

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    Moving Histories // Future Projections

    Soda_Jerk, The Time that Remains (still), 2012, digital video, sound, 11:56 mins. Courtesy the artists.

  • Deborah Kelly,_LYING WOMEN (still)_, 2016, stop motion animation from paper collage, stereo sound, 3:56 mins.

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    Moving Histories // Future Projections

    Deborah Kelly,LYING WOMEN (still), 2016, stop motion animation, stereo sound, 3:56 mins. Cinemtagraphy by Christian J. Heinrich. Edited by Elliot Magen. Score by Evelyn Ida Morris. Sound by ...

  


ABOUT 

Moving Histories // Future Projections brings together some of Australia’s leading female contemporary artists working across screen based media including Mikala Dwyer and Justene Williams, Amala Groom, Deborah Kelly, Kate Blackmore and Jacinta Tobin, Joan Ross, Soda_Jerk, Angelica Mesiti and Caroline Garcia, curated by Kelly Doley and Diana Baker-Smith of Barbara Cleveland (formally Brown Council).

The artists in Moving Histories // Future Projections approach their subject matter in a variety of ways – they turn the camera on themselves, re-stage historical events or reimagine alternative futures through speculative accounts of the past. Yet through repetition, montage and mimicry, they all explore a space where time folds in on itself and back again and each looks back while also moving forward. Collectively and individually they act as historians, archivists and archaeologists - excavating historical materials, digging through archives and channeling the past to make new connections across time and space.

In The Time that Remains (2012), Soda_Jerk manipulate found footage and the materiality of video to stage an on-screen engagement between two deceased screen stars, Joan Crawford and Bette Davis and their past and future selves.

The Invisibility of Blackness (2014) by Amala Groom is interplay between presence and disappearance of cultural identity as Groom repeatedly speaks in her matriarchal Wiradjuri lineage, in order to connect with the present. As the screen slowly fades to black, Groom’s embodied utterances continue through the darkness.

Joan Ross stitches together Australia’s post-colonial historical imagery in her animation Colonial Grab (2014). Through playfully cutting and pasting contemporary symbols of excess and desire over iconic Australian landscape paintings she highlights the ongoing presence of a repressive past.

Kate Blackmore’s Ngallowan (They Remain) (2014) attempts to exhume the complex and uncomfortable history between colonial and First Nations people. While Blackmore determinedly paints herself into a corner with white paint, literally ‘white-washing’ her body from view, the unwavering traditional song of Dharug Elder Jacinta Tobin remains.

In an exploration of invisible pasts, forgotten narratives and repressed memories, the exhibition reminds us how history is fractured along contradictory lines of race, class and gender. It is through the voice of the artist that we are presented with new, alternative futures.

 


ABOUT THE CURATORS

Moving Histories // Future Projections is curated by Kelly Doley and Diana Baker-Smith of the collaborative artist group BC Institute. Doley is currently a PhD Candidate at UNSW Art & Design and is the recipient of a University Postgraduate Scholarship. She is researching the politics and aesthetics of socially engaged performance practice. Smith currently works as a lecturer at the University of Technology Sydney and is completing her PhD on experimental methodologies for historicising performance at the University of NSW.

 


ITINERARY

Toowoomba Regional Gallery, QLD

18 February - 23 April 2017

Cairns Regional Gallery, QLD

28 April - 18 June 2017

Mosman Art Gallery, NSW

21 October 2017 - 6 January 2018

Blue Mountains Cultural Centre, NSW

20 January - 11 March 2018

Bega Valley Regional Gallery, NSW

16 March - 28 April 2018

Latrobe Regional Gallery, NSW

5 May - 8 July 2018

Lake Macquarie City Art Gallery, NSW

20 July - 2 Sept 2018 

Broken Hill Regional Gallery, NSW

28 September - 11 November 2018

Godinymayin Yijard Rivers Arts and Culture Centre, NT

16 January - 3 March 2019

Wagga Wagga Art Gallery, NSW

16 February - 12 May 2019

 

 


RESOURCES

 


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Artlink Review

 


 

 

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